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This new double download is a special treat. Recently I found two versions of an air from Donizetti's "Rosmonda d'Inghilterra" "Ancor non guinse... Perché non ho del vento... Torna, ah! torna, o caro oggetto...", which was used as an alternative aria for Lucia opening cavatina. Now, to be totally honest, I just can't warm up to this aria as a whole: I just don't like the recitative and the cental aria. The cabaletta, on the other hand, is quite glorious. Still, I think it would be interesting for everybody to listen to this obscure aria. Now, the two versions that I'm talking about are: 1) Beverly Sills's rendition on her CD "Bellini & Donizetti Arias"; 2) a relatively early (circa 1961-1962) rendition by Joan Sutherland (this one can be found either on "Voice of the Century" or on "Tribute to Jenny Lind"). Now I'm aware that there seems to be a real battle going on between diva lovers, in particular, between Sills/Sutherland fans. I love both these wonderful singers, so I'm really not trying to find out who is the best opera singer. I just think it would be interesting to compare both renditions: the approach is quite different. Still, everyone is entitled to their own opinion, so all ideas are welcome :-) . Your comments would be most valued. Hope you enjoy! P.S. Due to the sheer size of the aria, I divided each rendition into two parts: the recitative and the aria (+ cabaletta).

Snow & Nadine Sutherland, Beenie Man, Buju Banton, Terror Fabulous, Louis Culture, Kulcha Knox - anyting for you reggae ragga riddim

Hollywood actor Kiefer Sutherland has started a 48 day jail sentence for drink driving in Los Angeles.

Lucia : Joan Sutherland Edgardo : Luciano Pavarotti Gala Bing 72 Better Quality

http://blackrussiancomics.com Check out my profile/subscribe etc. cut the movie clip for legal and length purposes. August 7.

kiefer sutherland

Joan Sutherland at the Metropolitan Opera House.-

Kiefer Sutherland on American Misfits doing karate. Not alot of Jack Bauer in this, but it`s funny!

Actor Kiefer Sutherland talks about creating the fifth season of his hit television series "24" and about his life away from the show. Author and journalist Peter Bergen discusses the state of al Qaeda today and the man behind the organization. His book is "The Osama bin Laden I Know". Credits: Host:Charlie Rose, Guest:Kiefer Sutherland, Guest:Peter Bergen

The video for Buju Banton's & Nadine Sutherlands single off of Buju's "Friends For Life" album, What Am I Gonna Do

Jack Bauer from 24, Kiefer Sutherland's hilarious interview!

Terror Fabulous ft. Nadine Sutherland - Action Revenge Fashion Magazine A Passion for Empowerment™ www.RevengeFashionMagazine.com www.MySpace.com/RevengeFashionMagazine

Finally it is here! The Norma contest! Everyone was asking for this one, and it a fun one to put together. There are a lot of sopranos here! So take your time and give them all a chance. Again we will use a 1-5 rating for singing and characterization. These are the singers and dates of performances: Joan Sutherland - 1964 Dimitra Theodossiou - 2007 Hasmik Papian - 1999 Anait Mchitarian - 2003 Edita Gruberova - 2007 Ann Netrebko - 2007 Shirley Verrett - 1988 Yasuko Hayashi - 1992 Barbara Frittoli - 2004 Lucia Aliberti - 1991 Mara Zampieri - 1990 Ghena Dimitrova - 1987 Gilda Cruz-Romo - 1984 Monica Pick-Hieronimi - 1997 Adelaide Negri - 1988 Fiorenza Cedolins - 2003 June Anderson - 2006 Maria Guleghina - 2004 Marina Mesheriakova - 1999 Georgina Lukács - 2003 Montserrat Caballé - 1977 Ana María Sanchez - 2003

This is the glorious quartet... Duke--Luciano Pavarotti Gilda--Joan Sutherland Rigoletto--Leo Nucci Maddalena--Isola Jones Please! Just listen to the music.. don´t put attention in Isola´s... you know..."personality"

Joan Sutherland, Marilyn Horne, and Luciano Pavarotti perform the trio from "Norma" New York City Opera Orchestra Conducted by Richard Bonynge Lincoln Center 1981

Sutherland's last Lucia. Teatro del Liceo de Barcelona. Richard Bonynge conductor. November 30, 1988

On November 10, 2007, Gerry Lopez and his surfing hero, Jock Sutherland, gave a slide show presentation entitled "Talkin' Pipe" at the Patagonia surf shop in Cardiff, California. They talked about their own experiences at Pipeline and shared observations on the current scene there to a backdrop of photos provided by Jeff Divine and Surfer Magazine. Produced and coordinated by Cardiff store manager Devon Howard, the event drew a standing room only crowd numbering over 550 people. We're proud to present this multi-part series and hope that it gives you a sense of what it's like to sit down and hear two surf legends talk story. To get on the Patagonia Cardiff event mailing list, contact store_cardiff@patagonia.com. Check out Patagonia's surf line at www.patagonia.com/surf. Photos provided by Jeff Divine and Surfer Magazine Edited by Justin Rowe Video footage courtesy of Amy Williams and Ian O'Roarty Event produced and coordinated by Devon Howard Music by Sus Corez (www.myspace.com/suscorez)

Sutherland Brothers and Quiver - Arms of Mary 1976 The lights shine down the valley the wind blows up the alley oh when I wish I was lying in the arms of Mary She took the pains of boyhood and turned them into feel good oh how I wish I was lying in the arms of Mary Mary was the girl who taught me all I had to know she put me right on my first mistake summer wasn't gone when I learned all she had to show she really gave all a boy could take So now when I get lonely still looking for the one and only that's when I wish I was lying in the arms of Mary Mary was the girl who taught me all I had to know she put me right on my first misktake summer wasn't gone when I learned all she had to show she really gave all a boy could take The lights shine down the valley the wind blows up the alley oh when I wish I was lying in the arms of Mary lying in the arms of Mary lying in the arms of Mary ooh

Latest music video from Reggae Diva Nadine Sutherland. Song was #2 on the S FLA reggae chart over the summer of 2006

DAME JOAN ALSTON SUTHERLAND Y SIR RICHARD BONYNGE,LA REALEZA DE LA OPERA DE ORO EN CONCIERTO,TEATRO MACMILLAN,UNIVERSIDAD DE TORONTO,FEBRERO 12,1969.VAI,DVD"THE ART OF JOAN SUTHERLAND",SAGE MIR,VOGEL,ABT.VIDEO TRIBUTO DE YAMIL CABBAD,"MERCE,DILETTE AMICHE,IL VESPRI SICILIANI,VERDI. YAMIL http://personales.com/argentina/buenosaires/yamil_cabbad/

The lovely Joan Sutherland performing the aria "Où va la jeune Hindoue" (known as Bell Song)from Delibes' Lakmé. Henri Wilden as Gerard and Clifford Grant as Nilakantha, Sydney Opera, conductor Richard Bonynge, 1976

Keston Sutherland at Miami test_Sutherland-Keston_1_Hot-White-Andy_NBP_Miami-University_4-10-07

Alan Kay presenting Ivan Sutherland's Sketchpad, one of most influencial programs in the history of graphical user interfaces. Sutherland developed Sketchpad in 1963. This video was extracted taken from a longer one in http://www.archive.org/details/AlanKeyD1987

First, a little introduction into my introduction to the wonderful voice of Joan Sutherland: I first came to know Joan Sutherland through her recording of "Elisir d'amore" with Pavarotti. I remember thinking: what a beautiful, full voice. I listened again and again to the opening cavatina. I was still new to opera, but I already knew that Sutherland would be the epitome of opera for me. I continued to listen to various Sutherland recordings, but, strangely enough, they were all made in 1970s or 1980s, nothing before that. I cherished each and every one of them, and I still do. And yet... When I at last bought the legendary "Art of the Primadonna" album, I was already truly in love with the voice and was a "profesional Sutherland fan" for three years. But something has happened: the voices were not the same one! As I listened to Amina's cavatina, I was speechless: so perfect it was, and, when I compared the rendition with my favorite 1980 Sutherland recording of the opera, I realized that the former was the best (that's just my opinion). I bought other early recordings of Sutherland's voice: her first "La Sonnambula", "Acis and Galatea" etc. etc.. This was an even more beautiful voice, actually surpassing later recordings (at least, that's what happened for me). Since then I have listened to many artists, but not one of them were like Sutherland: her first recordings are so wonderful, so brilliant, so close to perfect, that she managed to overshadow her later work. Yes, the 1970s and 1980s brought us further proof of Sutherland's genius ("Lucrezia Borgia" is a good example), but Sutherland has already set the standart so high, that anything after 1962 just pales in comparison... at least, it does for me :-)... Now, I have here for you a small sample of the young Joan Sutherland. Three baroque arias, one Italian and two English. The first except is the simple "The traveller benighted" from Arne's "Love in a village", then, as the central piece, comes "Furia di donna ingrata" from "La buona figliuola" by Piccini and finally the joyful "Light as thistledown" from Shield's "Rosina". I hope you enjoy :-)! P.S. I fully understand that some people love the "mature" Sutherland, and in no way am I trying to offend any of them. It's just... the early recordings seem to me a marriage of good diction, a beautiful voice and, what is more importantly, interpretation :-)! There is something special there :-)...

AT THE STORK CLUB 2006 RANDY LEE SUTHERLAND (SAX) JOHN DWYER (DRUMS)